New Release
Title: Noble Gases
Artist: Deckard
Label: T.a. Rock Records – Electronic Music Department
NEW RELEASE IS OUT
Exlusuvely via Noisey/Vice magazine on line
For one month only (Until 31st May), to celebrate the launch of "Noble Gases", all Deckard's new EP tracks at Soundcloud are free download
Please, follow this link:
"Noble Gases" is a concept EP, it contains 6 tracks (Helium, Neon, Argon, Krypton, Xenon, Radon) 30 minutes of electronic music composed, arranged and produced by Deckard "aka" Beppe Massara.
The official release will be out on 31st may (world wide digital distribution) on T.a. Rock Records, with this new production the small independent label opens a new department of electronic music which will accompany the alternative rock Dept.
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Helium, Neon, Argon, Krypton, Xenon and Radon make up the new EP concept by electronic musician, producer and sound designer Beppe Massara, aka "Deckard".
The songs were all composed between January and February 2014 with a renewed stylistic simplicity compared to the tracks on the first album of 2010 "Bit Bullets" and represent a new sound research that reworks the classic European electronics sound of the 80’s and 90’s which has always greatly inspired Deckard.
The 6 tracks "Gaseous" are heterogeneous and different from each other while following a common thread and inspiration: the stability of the electronic structure, as in the noble gases, is central to the vision of this new EP.
By creating an unusual blend, Deckard’s music evokes a cyberpunk literary atmosphere and cinematic noir futurist visions .
The tracks featuring Alberto Fiori (Berlin) - Wurlitzer, Francesco Guerri (Bologna) - Cello, and Carolina Pintos (Buenos Aires) - Voices, characterise the "real sounds" of the electronic compositions of Helium, Neon and Krypton. The vocal and acoustic elements introduced in the songs seem to claim their space in "Humanity" among the multi -layer instrumental and virtual analog synths, glitches and sampling. These elements are meticulously embroidered on simple structures similar to those of rock songs, revealing by the composer a more immediate and instinctive respect to experimentation that marked the previous work.
The sounds become big, dirty and distorted, generating granitic substrates on which to sculpt themes chasing boreal suggestions and stimulate the imagination to introspective paths and night travel aimlessly.
By creating an unusual blend, Deckard’s music evokes a cyberpunk literary atmosphere and cinematic noir futurist visions .
The tracks featuring Alberto Fiori (Berlin) - Wurlitzer, Francesco Guerri (Bologna) - Cello, and Carolina Pintos (Buenos Aires) - Voices, characterise the "real sounds" of the electronic compositions of Helium, Neon and Krypton. The vocal and acoustic elements introduced in the songs seem to claim their space in "Humanity" among the multi -layer instrumental and virtual analog synths, glitches and sampling. These elements are meticulously embroidered on simple structures similar to those of rock songs, revealing by the composer a more immediate and instinctive respect to experimentation that marked the previous work.
The sounds become big, dirty and distorted, generating granitic substrates on which to sculpt themes chasing boreal suggestions and stimulate the imagination to introspective paths and night travel aimlessly.
T.a. Rock Records
Associazione Culturale Tarock, Via Malcangi 147 - cap 76125 Trani, Italy
